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film
poster 1
poster 2
_what
film poster for the documentary short, digging for life.
_how
director joao queiroga got in touch with us after he saw our work on matthew puccini's film, dirty. he sent us a copy of his very beautiful, moving and probing documentary short, digging for life. he wanted us to design the opening title card and the poster for the film. the film follows the story of an african man enslaved in the diamond mines in angola. here is one of three posters we designed for the film that uses a collage of still images taken from the footage.
_link
diggingforlifefilm.com
_tags
poster 3
_what
film poster for the documentary short, digging for life.
_how
director joao queiroga got in touch with us after he saw our work on matthew puccini's film, dirty. he sent us a copy of his very beautiful, moving and probing documentary short, digging for life. he wanted us to design the opening title card and the poster for the film. the film follows the story of an african man enslaved in the diamond mines in angola. here is one of three posters we designed for the film that we drew by hand.
_link
diggingforlifefilm.com
_tags
poster
_what
film poster for the feature documentary, still standing.
_how
midnight marauder introduced us to director mirko pincelli. mirko asked us to watch a cut of his forthcoming new documentary that explores the life and culture of the sindhis, one of the oldest and least known civilisations in the world.

mirko wanted us to design a poster and some film titles for the film. we were entranced by the images in the film and moved greatly by the story of these often forgotten people. we presented a range of ideas and mirko went with this handmade, rather more experimental design you see here. it's a poster we feel talks about generations of sindhi people flowing like a river through time; a river like the great indus river upon the bank of which the sindhis first appeared.
_link
instagram.com/stillstanding.film
_tags
poster
_what
film poster for the documentary, the love and death of yosef and zilli.
_how
director dean gold got in touch with us after seeing our poster work for the canadian films firecrackers, the great darkened days and anne at 13,000 feet. he sent us a copy of this his latest documentary and it floored us. it's an unflinchingly personal film and knowing we were to try and make a poster for it was particularly humbling. we've seen few films like it.

we presented a series of concepts for the poster. dean immediately went for the idea you see here as he felt it captured the feeling of his film best. caspar took the photograph used for the poster in his bedroom in new york city.
_link
yosefandzillimovie.com
_tags
poster
poster 2
_what
film poster for the feature film, a fire in the cold season.
_how
we made two posters for justin oakey's feature film a fire in the cold season. the first poster was a collaboration with graphic designer delphine dubuisson and fine artist clare newbolt. our intention with this poster was to use a combination of digital and physical texturing to allow us to speak metaphorically about the film's narrative. 

the second poster was a more direct and obvious interpretation of the film, offering a slightly altered mise-en-scene still as a way of tackling the film's psychological themes.
_link
imdb.com/title/tt8885868
_tags
poster
_what
film poster for the feature film, superior.
_how
director erin vassilopoulos asked us to design both the poster and title sequence for her debut feature film, superior. the film is an 80s psychological thriller that explores the lives of two recently reunited identical twin sisters. as the twin's very different lives bleed together there's a feeling of yin and yang in terms of the impact they have on each other both physically and emotionally. it's this concept that we chose to touch upon in the poster. 
_link
imdb.com/title/tt12373414
_tags
magazine cover
_what
redesign of the new york-based film journal, filmmaker magazine.
_how
this the spring issue of filmmaker magazine further evolves the overall approach we've taken with the redesign, both inside and out. this time around charlotte gosch and i introduced some new typefaces to the magazine and used their large family of styles to talk about how a magazine of this kind has different "voices," be those the the voices of the filmmakers being interviewed, the magazine's writers or the magazine's designers.
_link
filmmakermagazine.com
_tags
_what
opening and closing title sequences for the feature film, waves.
_how
director trey edward schults had a few ideas about how the opening titles for his new feature film, waves, should look and feel. he was keen to capture a certain, particular "florida feeling," the US state in which the film had been shot. in turn we suggested that a neon flicker of orange on top of the beautiful opening shot of the girl on her bike would hint nicely at the darker film to come. after finding the right colour, placing and treatment of the titles, we offered him some typeface options and he chose the one you see here.

for the closing titles trey had some unusual, abstract b-roll footage he'd shot in pre-production and we suggested we scroll black type through it so that at times the words literally got lost in the darker colours. this was one of those rare projects where everything we did the director and A24, the film's production company, loved straight off the bat.
_link
a24films.com/films/waves
_tags
magazine cover
_what
redesign of the new york-based film journal, filmmaker magazine.
_how
this the fall issue of filmmaker magazine further evolves the overall approach we've taken with the redesign, both inside and out. after the summer's "pandemic digital-only issue" charlotte gosch and i wanted to celebrate the return to print with an experimental design. we explored the idea of "spatial depth," as hinted at in the magazine's logo, within the pages of a magazine. we blurred images and laid them over other images to give a sense of light, projected films and so on. we then used a brutalist-style chiaro scuro approach within the magazine's layouts to talk about what it is to move through space, particularly when entering the cinema to see a film in the darkness.
_link
filmmakermagazine.com
_tags
poster
_what
film poster for the feature documentary short, no crying at the dinner table.
_how
director carol nguyen got in touch because of our poster work for matthew puccini's short film, dirty. on the eve of releasing her award winning short film, no crying at the dinner table online, she wanted a poster to celebrate the film's release into the world. we presented a range of ideas that we felt tackled different themes and emotions in the film, and carol chose the one you see here. itself a play on what it is to have to sweep one's emotions under the carpet.
_link
imdb.com/title/tt10413396
_tags
_what
film poster for the short film, dirty.
_how
writer / director, matthew puccini, got in touch with us because of our work on bug bite. his short film dirty was about to premiere on the criterion channel and he wanted to create a poster to celebrate that. we were immediately taken by the film, which is a particularly brave and sensitive film about a first time queer sexual encounter. after presenting a range of ideas, matthew went with the one you see here.
_link
criterionchannel.com/dirty
_tags
poster
_what
film poster for the feature film, tito.
_how
here's the poster we designed for the online release of grace glowicki's searing, debut feature film, tito. making it's debut at SXSW film festival last year, grace and producer / co-star ben petrie use the film to explore one agoraphobic man's struggle to deal with the terrors of the outside world. collaborating once again with the inimitable charlotte gosch, this poster is our attempt to try and describe a range of feelings in the film in one image.
_link
imdb.com/title/tt7476866
_tags
magazine cover
_what
redesign of the new york-based film journal, filmmaker magazine.
_how
this the summer issue of filmmaker magazine further evolves the overall approach we've taken with the redesign, both inside and out. this time around, due to the global pandemic and printers being closed down, we redesigned the magazine for digital viewing only. charlotte gosch and i therefore changed the format of the magazine to suit the scrolling experience, as opposed to the physical page turning experience.
_link
filmmakermagazine.com
_tags
poster
_what
film poster for the feature film, funny face.
_how
long-standing collaborator tim sutton asked us to take care of the posters and titles for his fifth feature film, funny face. the process with tim is always very fluid and open-ended. he brought some ideas to the table, we complimented those ideas and the poster you see here is one of a series we're developing for the film. putting into words why this poster works would perhaps spoil it, so we'll leave it to you to enjoy.
_link
imdb.com/title/tt11638942
_tags
poster
_what
film poster for the feature film, baamum nafi.
_how
producer maba ba got in touch and introduced us to his fellow senegalese countryman, director mamadou dia. after watching their beautiful film, charlotte gosch and i presented a range of ideas to them. the one you see here was a combination of two different ideas we'd had. baamum nafi is a brave and beautiful film, and we feel it's fitting that it has a brave and beautiful poster to go with it.
_link
imdb.com/title/tt10416008
_tags
poster
_what
film poster for the feature film, the mountains are a dream that call to me.
_how
as part of our ongoing collaborations with rathaus films, director cedric cheung-lau and producers alexandra byer and madeleine askwith got in touch with regards to doing a poster for their new film. shot in nepal, edited in new york and on its way to the sundance film festival, this is a really special, beautiful and meditative piece of work. we did a series of posters for it, one of which you can see here.
_link
imdb.com/title/tt11389562
_tags
poster
_what
film poster for the feature film, anne at 13,000 feet.
_how
long-standing collaborators MDFF got in touch as they were putting the finishing touches on kazik radwanski's new feature film. they asked us to take care of both the film's title sequence and poster. after presenting a series of ideas for the poster, kazik and producer dan montgomery went with the concept you see here. 
_link
mdff.ca
_tags
poster
_what
film poster for the short film, blocks.
_how
producer valerie steinberg approached us to design the poster and titles for bridget moloney's short film, blocks. the film's on its way to the sundance film festival and they were looking for a way to articulate the film's darker undertones whilst keeping the poppy veneer. once again we collaborated with the brilliant photographer jeff brown, as we found a way to talk about the awkwardness of vomiting lego blocks at any given moment.
_link
imdb.com/title/tt10713294
_tags
poster
_what
film poster for the feature documentary, pier kids.
_how
director elegance bratton approached us with this striking and beautiful film he'd made about three gay and transgender kids who are living homeless down on christopher street in manhattan. almost a direct sequel to the film paris is burning, we discussed with elegance ways of capturing the film's heart and soul. in the end we focussed on one of the characters in order to talk emotionally and physically about the film's themes and locations.
_link
pierkidsthelife.com
_awards
best poster design at indie memphis film festival.
_tags
poster
_what
film poster for the documentary short film, coach.
_how
here's the second in a series of posters we made for jordan axelrod and matthew edward ellison's biting documentary about women's soccer, coach. this poster's design is obviously and lovingly a nod to hans hillmann's poster for the bunuel film, the criminal life of archibaldo de la cruz. we felt he might be ok with the appropriation given the context.
_link
imdb.com/title/tt7962246
_tags
poster
_what
film poster for the feature film, deine farbe.
_how
midnight marauder put us in touch with director, maria diane ventura. her debut feature was getting into festivals and she was after a poster that captured the essence of the film's narrative. we presented a series of ideas to her and here's the concept we ended up going with. it's inspired of course by the michelangelo pistoletto artwork, the ears of jasper johns.
_link
imdb.com/title/tt6734268
_tags
poster
_what
film poster for the short film, balk.
_how
director gabriel wilson was after a poster that captured the essence of his twisted little-league baseball comedy. we pitched the idea of using baseball cards in an psychological character reference capacity and he took to it. we don't often dabble in comedies but it turned out to be a worthwhile experiment. gabriel also had us do the titles for the short, which are of quite a different ilk. 
_link
imdb.com/title/tt8750864
_tags
_what
film poster for the feature film, the ghost who walks.
_how
here's the second in a series of posters we made for cody stokes' forthcoming feature film, the ghost who walks.
_link
imdb.com/title/tt7612748
_tags
film poster
_what
film poster for the short film, no man's land.
_how
director sam upton got in touch with a close to final cut of his short film. keen to find a more abstract and poetic interpretation of the film for the poster, he let us have carte blanche with the design. give or take a few minor tweaks, what you see here is pretty much the first draft.
_link
imdb.com/title/tt8685970
_tags
poster
_what
film poster for the feature film, giraffe.
_how
anna sofie hartmann's new feature film is a beautiful and moving portrait of a woman lost and adrift both physically and emotionally in her life. we were asked to capture this feeling in poster form, and after presenting a range of ideas settled on the one you see here. it is an attempt to talk about fragments of a person blowing across a map; the feeling of not just being many places at once, but feeling like many things at once too.
_link
komplizenfilm.de/d/films/giraffe.html
_tags
poster
poster 2
_what
film poster for the feature film, de lo mio.
_how
long-time collaborator and producer, alexandra byer got in touch and asked us to work on the titles and poster for her this her latest project. soon we were talking to director diana peralta, and after presenting a series of ideas to her began work on creating two different posters for the film. the first of these posters conceptually it focusses on the idea of the film's two protagonists 'returning to their roots' in the dominican republic, where the film is set. the second poster was based on a hand-made-sign style often seen around the streets of the dominican republic. we drew a new stencil in this style, cut it out and spray painted it here in our new york studio.
_tags
poster
_what
film poster for the feature film, the ghost who walks.
_how
actor and producer frank mosley got in touch and asked that we might put together a poster or two for cody stokes' new feature film, the ghost who walks. what you see here is one in a series of posters we created for the film. 
_link
imdb.com/title/tt7612748
_tags
poster
_what
film poster for the short film, the eighth year of the emergency.
_how
maureen towey's short film 'the 8th year of the emergency' is about an elderly woman losing her mind to dementia. after much discussion about how best to approach a poster for this delicate and generous film, we settled on the idea of gently erasing a drawing of the lead actress's face. the drawing was made by caspar's father thomas newbolt in england, and then erased by caspar in new york.
_link
imdb.com/title/tt8274914
_tags
poster
_what
film poster for the short film, coach.
_how
coach is a short documentary film about a female american soccer coach striving to attain a top-tier international coaching license in a field long dominated by men. producer courtney levinsohn encouraged us to produce a series of politically motivated posters in support of the film. one of which you can see here. 
_link
imdb.com/title/tt7962246
_tags
_what
film poster for the short film, metronome (in time).
_how
producer valerie steinberg asked that we create a poster for a short film she'd recently put together for director scott lochmus. the film plays with time and narrative structure around a musical theme. working again with long-standing collaborator jeff brown, we created a poster that touches upon these ideas in a more surrealist, metaphysical sense.
_link
imdb.com/title/tt8708960
_tags
poster
poster 2
poster 3
_what
film poster for the feature film, the great darkened days.
_how
seville international commissioned us to make a series of posters for maxime giroux's film, the great darkened days. here are a handful of designs that were not used in the end but which we felt were worth seeing nonetheless.
_link
imdb.com/title/tt8553192
_tags
poster
poster 2
poster 3
_what
posters for the feature film, mouthpiece.
_how
producer jennifer shin and director patricia rozema got in touch with an interest in making a poster for their film, mouthpiece. the film is highly original and memorable. we made several posters for it, each one touches upon its subject matter in an entirely different way. 
_link
imdb.com/title/tt7958644
_tags
poster
_what
film poster for the feature film, once upon a river.
_how
we were put in touch with director haroula rose through a mutual friend. she showed us a rough cut of her film and asked what we had in mind for a poster. we set to work putting together a wide range of ideas for her from which she selected one we called 'the rising tide.' haroula then conducted a photoshoot of her lead actress, and we took care of the rest. the resulting image talks about the quiet determination of the lead character in her film, whilst also hinting at some of the difficult conditions she would be going through in the story.
_link
imdb.com/title/tt3917094
_tags
poster
_what
film poster for the feature film, mickey and the bear.
_how
annabelle attanasio and lizzie shapiro sent us a copy of their new feature film, which had just gotten into the SXSW film festival. we watched the film and talked it through with the filmmakers. three or four ideas immediately came to us and we set about working on the one that appealed to them most. the result, another collaboration with graphic designer charlotte gosch, is a piece of collage and heavy photoshop work. those who've seen the film will enjoy the more subtle touches in the piece, and those who haven't we hope will be lured in by the mysterious depictions and juxtapositions. 
_link
imdb.com/title/tt9614440
_tags
poster 2
_what
teaser poster for the in development feature film, skin of youth.
_how
director ash mayfair sent us the script for one of her forthcoming new feature films and told us that she'd had a fever dream about a face "floating... kinda like ripples in water... of a boy with intense eyes wearing red lipstick." she said the image had stuck with her and that, as a result, she was having photographs taken in vietnam of the boy she wanted to play the lead in the film. the thing she wanted us to try and figure out was how to create the rest of the image she'd had in her dream. 

when the images arrived of this beautiful boy in lipstick we applied a typographic treatment to them, and then had them printed very large on waterproof paper. we then bought a huge plastic tub, took it back to the studio and filled it with water. then, with the assistance of photographer and long-time collaborator jeff brown, we shot photographs of the photographs, literally underwater, whilst splashing around with our hands in order to distort the image and the text. the result is perhaps the most organic piece of design work we've ever produced.
_tags
poster 2
_what
film poster for the feature film, donnybrook.
_how
long-time collaborator and friend, tim sutton, asked us to create the poster for the world premiere of his 4th feature film, donnybrook. the film - based on the novel of the same name - offers a brutal insight into today's middle-american, working-class malaise. the poster was our attempt at offering a more abstract interpretation of the struggles within the film. the chain-linked fencing, to our eyes, looking like stick-figures grappling with each other in conflict. 

the second poster included here is based on an idea that tim had, and is an image that - whilst not wanting to spoil the story for anyone - will resonate particularly well with those that have seen the film. 
_link
ifcfilms.com/films/donnybrook
_tags
still
_what
closing title sequence for the feature film, the song of sway lake.
_how
we met director ari gold at a party on his rooftop. in discussions about his forthcoming new film he revealed he was looking for a title sequence. sharing a love for the filmed title sequences of saul bass, we agreed to stay and touch and discuss things further. a few weeks later producer alexandra byer, cinematographer shabier kirchner and i found ourselves upstate filming by a lake. not long after that were cutting the sequence you see here into the film. the piece combines almost every aspect of what we do as a company, from record cover design through to film direction.
_link
swaylake.com
_tags
poster 1
poster 2
_what
film posters for the feature film, zoo.
_how
seville international commissioned us to design a poster for their forthcoming scandinavian feature film, zoo. after pitching a series of ideas they settled on two photo concepts that suggested, with a wink, what the film might be about. we turned to long-time collaborator jeff brown and put together a photoshoot here in new york that echoed certain scenes in the film.
_link
imdb.com/title/tt7624934
_tags
_what
redesign of the new york-based film journal, filmmaker magazine.
_how
with issue 104 of the magazine we decided to revamp the filmmaker logo once again. we didn't want to change the concept of it, but more the way in which we'd previously executed it. the original rendition had been hand drawn and this revised edition was more machine-made. the result is more refined and, we feel, a more fitting translation of our original concept.
_link
filmmakermagazine.com
_tags
poster
_what
film poster for the feature film, firecrackers.
_how
canadian director and producer team jasmin mozaffari and caitlin grabham were familiar with our work for MDFF on films like 'how heavy this hammer' and 'fail to appear.' they sent us their film firecrackers with a note that underlined the efforts they were making to battle the patriarchy through cinema. after pitching several ideas to them that varied in experimentation and complexity, jasmin and caitlin went straight for the most complex and original approach. the result is a film poster quite unlike any other, that talks about the nature of the filmmaking as much as the socio-political subtext. we'd like to thank charlotte gosch for her help with the paintwork on the poster.
_link
prowlerfilm.com
_tags
poster
_what
film poster for the feature film, the third wife.
_how
director ash mayfair sent us a cut of her debut feature film the moment it was ready. she was keen for us to handle both the poster and the film's title sequence. the film is so strong that our ideas came thick and fast. ash selected the approach you see here, which involved a new photoshoot with the film's actress in vietnam. 
_link
imdb.com/title/tt7692966
_tags
poster
_what
film poster for the short film, ave maria + gay semiotics.
_how
director jeff verlanic got in touch and asked that we look at the rough cut of his latest short film that'd gotten into outfest. the film is a double bill of two shorts and so we immediately got talking about how to represent that in a single poster. the resulting design you see here gave us a chance to be a little playful and suggestive with regards to the nature of both films.
_tags
poster
_what
film poster for the feature film, stray dolls.
_how
producer and co-writer charlotte rabate got in touch with us with an interest in us creating a poster for her latest production, stray dolls. after watching the film we met with director and co-writer sonejuhi sinha and discussed her intentions for the poster. we then presented a series of ideas, from which she selected two. what you see here is a hand-made poster that we felt spoke to the film both narratively and emotionally.
_tags
_what
film poster for the feature film, i am a seagull.
_how
co-director alex harvey got in touch with us because of our work on filmmaker magazine. he was after a poster for his new hybrid-documentary, i am a seagull. the film documents the production and performance of chekhov's play, the seagull, upstate new york around lake lucille. we presented a range of ideas that we felt tackled the films multi-level narrative and 4th wall leaping dynamic. the final piece you see here talks about what it means to make a film that interleaves a rehearsal and play's full narrative at the same time.
_link
iamaseagull.com
_tags
poster
_what
film poster
_how
director dan carbone got in touch and asked us to check out a cut of his new documentary, phantom cowboys. we'd talked before about working together and it was this film's beautiful imagery and time traveling narrative that sealed the deal for us. we got to work putting together some ideas and after pursuing several quite different directions, we finally found truth in the colour separated and distorted treatment you see here.
_link
phantomcowboys.com
_tags
cover
_what
redesign of the new york-based film journal, filmmaker magazine.
_how
furthering the cover to cover redesign we established with issues 100 and 101, we this time took an accidentally out of focus, behind the scenes still from chloe zhao's the rider and used it to echo, amongst other things, the issue's refocussing on women filmmakers and the magazine's own logo treatment.
_link
filmmakermagazine.com
_tags
_what
film poster for the short film, allen anders live at the comedy castle (circa 1987)
_how
as part of our ongoing collaboration with writer / director laura moss, this is our poster for her new short film. allen anders is a film that plays with existential horror and after several viewings and some discussions with laura, this image you see here was the result. we cannot recommend the film enough, particularly as this poster is in some ways an illustration of what the film conjures in your mind, if not what you see on the screen.
_link
lauramoss.nyc/allenanders
_tags
poster
_what
film poster for the feature film, the party's just beginning
_how
producer mali elfman and writer / director karen gillan got in touch with us and expressed their interest in working with us based on our portfolio of poster work thus far. as they suspected, the film was something we found very easy to relate to and produce good work in support of. pretty soon the ideas were flowing thick and fast. we produced a series of posters throughout the process, and the one you see here felt like the best fit for the film's world premiere at the glasgow film festival
_tags
poster
_what
film poster for the short film, hair wolf.
_how
producer valerie steinberg, who we'd originally worked with on the short film fry day, reached out to us to create a poster for a new short directed by mariama diallo, hair wolf. mariama had a very clear idea of what she wanted. the result is a poster based on the 1970s ads for afro sheen.
_tags
_what
redesign of the new york-based film journal, filmmaker magazine.
_how
here with issue 101 we continued to push the cover to cover redesign concept we'd developed with the 100th issue. this time we created a cover design that spoke to both the drama of the feature article 'wormwood', and the 'editors on their cuts' piece later in the issue.
_link
filmmakermagazine.com
_tags
_what
film poster for the feature film, fail to appear.
_how
continuing our collaboration with medium density fibreboard films, we were asked to handle the poster for this beautifully understated and quietly probing film. 
_link
mdff.ca
_tags
_what
film poster for the feature film, sollers point.
_how
we first worked with matt porterfield on his short film, take what you can carry. more recently caspar was set photographer (and designed the title sequence) on his third feature film, sollers point. after playing with various ideas, matt selected one of caspar's photographs from the set as the final poster image. the typography, layout and colour were then selected to reflect the tough, unpretentious tone of the film.
_tags
25 new faces spread
_what
redesign of the new york-based film journal, filmmaker magazine.
_how
we pitched editor scott macaulay on the redesign of his longstanding, much respected, new york-based magazine and he said it was perfect timing. the forthcoming issue was to be his 100th issue, marking 25 years since he started the magazine with friends back in the early 90s. after some further discussion we discovered he shared a similar aesthetic interests to ours and soon the project was under way.

sharing a mutual admiration for each other's work we contacted our friend charlotte gosch in germany and asked her if she'd like to collaborate with us on the project. the whole magazine including the logo was redesigned over the space of about a month and a half. we hope the design speaks for itself as you move from page to page, but in short it represents an attempt to breathe new life into a word-heavy film journal and talk about the importance of the image in that context.
_link
filmmakermagazine.com
_tags
_what
film poster for the feature film, the strange ones.
_how
the film's producer michael prall got in touch with us in need of a poster for the film's world premiere at SXSW film festival. talking to directors lauren wolkstein and christopher radcliff it was immediately clear we were going to make something good together. their references were amongst some of our favourite posters and this in turn pushed us to present some of our best ideas. the result is a poster that keeps on giving, particularly once you've seen the film.
_link
thestrangeones.com
_tags
film poster
_what
film poster for the feature film, little boxes.
_how
about 50 minutes into watching a rough cut of little boxes we were struck with the leading concept of the poster you see here. teddy blanks put us in touch with director rob meyer and his team, and the process couldn't have been more fluid. the final piece works on a couple of different levels, and hopefully satisfies as much after you've seen the film as before.
_link
imdb.com/title/tt5030402
_tags
_what
poster for the short film, fry day.
_how
director laura moss approached us the moment she knew her film had been accepted into the SXSW film festival. we watched her film and very quickly realized it was not just well made, but more importantly psychologically right up our alley. we suggested a range of approaches for the poster and she picked this one. 

wonderfully the poster ended up winning the SXSW excellence in poster design award.
_awards
SXSW jury award for excellence in poster design.
_tags
poster
_what
film poster for the feature film, dark night.
_how
here's the poster we made for the venice biennale screening of tim sutton's feature film, dark night. the poster was another collaboration with artist, thomas newbolt and is a more impressionistic take on the message of the film.
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film poster for the feature film, dark night.
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here's the poster we made for the BAMcinemafest 'closing night' screening of tim sutton's feature film, dark night. the film is based loosely on the 2012 aurora cinema shooting in the US.
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film poster for the feature film, how heavy this hammer.
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matt porterfield introduced us to kazik radwanski and dan montgomery, who respectively directed and produced how heavy this hammer. after watching the film it was immediately clear to all of us how the poster should look. in fact the bulk of the work on it came down to tweaking the finer details.
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mdff.ca
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poster
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film poster for the feature film, those people.
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director joey kuhn reached out to us after a talk we did about film posters for the independent filmmaker project. we were very moved by his film and proceeded to develop several poster ideas with him. the design we eventually settled on is the hard-cropped, minimal piece that you see here. we felt it suggestive of the leading protagonists' outlook and ongoing relationship.
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thosepeoplefilm.com
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poster
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film poster for the feature film, live cargo.
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logan sandler was introduced to us by john baker, the producer of memphis. without giving too much away about the film, we wanted to explore notions of loss, emptiness and the deep, dark depth of the ocean that came to represent so much in this film. initially exploring two very different aesthetic directions, we settled on what you see here.

we also handled website and title sequence design duties on the film.
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livecargomovie.com
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film poster for the feature film, muito romantico.
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we were put in touch with distruktur (melissa dullius and gustavo jahn) by the producer of matt porterfield's 'take what you can carry'. excited to have a chance to work on a less conventional film, we were very taken by every frame of muito romantico. it was shot on film with a very static frame and this meant that every shot was so photographic, timeless and suggestive. this combined with its experimental narrative structure gave us the space to be more minimal, expressive and free-form in the poster realm. 
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facebook.com/muito.romantico.filme
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film poster for the feature film, dark night.
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here's the first poster for tim sutton's dark night, released to co-incide with the film's world premiere at the sundance film festival.
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film poster for the short film, eidolon.
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joey ciccoline's new short film was created in conjunction with the release of the new album by makeup and vanity set, who also scored the film. the narrative is science-fiction in nature and explores the process of dealing with loss. the poster design tackles the key ideas in the film both typographically and through a collage / double exposure of images.

the film will be released april 8th and you can preorder it here.
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eidolonfilm.com
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poster
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film poster for the short film, take what you can carry.
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we were introduced to director matt porterfield by our friends on the memphis production crew. we quickly hit it off and matt asked us to create not just a poster but the title sequence for his new short film. the film has already been accepted by the berlin film festival. 
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poster
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film poster for the feature film, she's lost control.
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we met director anja marquardt through our friend and collaborator, the casting director allison twardziak. anja asked that we help her with the design of the theatrical release poster for what was her first feature film. from the get-go our aim was to touch on the psychological complexity depicted within the film. so, taking a more recent studio photograph of the film's star, we retouched the image to bring it more in line with the film's narrative. on top of this we then applied heavy, grid-like typesetting, to establish a barrier between the viewer and the film's protagonist. we hope that the poster gives you an hint of what lies beneath the surface of this film, without explicitly spelling it out.
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fb.com/slcmovie
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poster for the feature film, valley of saints.
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director musa syeed got in touch and asked that we watch his film with a view to creating a poster for it. we were moved by the picture and set to work exploring 2-3 different visual directions that touched on key themes in the film. the design you see here is the one that musa felt closest to. it attempts to capture the sense of conflict surrounding the decisions the main character had to make in the story.
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valleyofsaints.com
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poster for the feature film, julia.
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as friends, we've spent many a long night in new york or los angeles discussing horror films with director matthew brown. when he asked us to create a poster for his new film julia, we were not just honoured but also found ourselves very in sync with what he was after. the poster you see here went through a series of different layouts, but the core of it remained the same from the outset. 
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fb.com/juliathemovie
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music video for the los angeles-based band, sonoio
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sonoio is one of the many side projects of alessandro cortini. the moment he sent us a demo of 'thanks for calling' we set to work devising a treatment that we felt did the song justice, psychologically and tonally. alessandro was keen not to be in the video this time, so matt sundin and caspar took the opportunity to devise a story that spoke to some of their own personal experiences. the result is a hitchcockian / felliniesque flight of fantasy.

you can read more about the making of the film on our blog here.
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sonoio.org
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poster
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film poster for the feature film, growing up and other lies.
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growing up & other lies' producer katie mustard met us in venice whilst working on tim sutton's feature film, memphis. she asked us if we were interested in doing the poster for another film she was working on. after a screening of the film we werre introduced to directing team darren grodsky & danny jacobs. after much discussion referencing the likes of the french new wave and john cassavetes, we found ourselves working on a series of designs that branched out in various interesting directions. what you see here is the design they finally fell in love with.
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fb.com/growingupandotherlies
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poster 5
poster 2
poster 3
poster 4
poster 1
poster 6
poster 7
poster 8
poster 9
poster 10
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posters for the feature film, call girl.
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call girl is a swedish thriller based on real life events in the 1970s. huge fans of the film for many reasons, we felt compelled to create the images you see here. please note that these posters were not commissioned by the filmmakers. they were created purely to promote and support what we believe to be a quite brilliant piece of filmmaking.

you can read more about the making of the posters here.
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facebook.com/callgirlofficial
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poster
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film poster for the feature film, two step.
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long-time fans of alex johnson's film work, we were delighted to be asked to do a poster for his debut feature. set in austin texas, this thriller takes queues from the cohen brothers and pulls no punches. we all agreed from an early stage that some kind of brutal 'dance of death' diagram might be apt. the result makes good use of a casual, behind the scenes photo that their production team had kicking around. 
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twostepfilm.com
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record sleeve for the nashville-based band, makeup and vanity set.
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the threat of anthony scott burns and makeup and vanity set collaborating on a project together had been growing at an exciting rate. finally with the forthcoming release of burns' sci-fi short 'manifold,' we get a preview of things to come in the form of the score he asked makeup and vanity set to write for it. including two new, unreleased tracks, the score is now an EP soon to be released on telefuture records.

what you see here is the sleeve artwork we created to support the release. the record is available now for preorder here.
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makeupandvanityset.com
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memphis poster 1
memphis poster 2
memphis poster 3
memphis poster 7
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posters for the feature film, memphis.
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based on our previous work on PAVILION, the film's director tim sutton invited us to the set of his new feature MEMPHIS. once again he asked us to entirely handled how the film was to be presented online and in print. these posters were created by us for the film's premiere at the venice film festival. each includes original logo design, layout and photography by us.

you can read more about the process behind making them here.
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memphis-film.com
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film posters for the feature film, beyond the black rainbow.
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there are very few films that have you staying up the rest of the night after a screening just to make posters for them. beyond the black rainbow is one of those films. these posters were not commissioned by the filmmakers. they were created purely to promote and support what we believe to be a unique and quite brilliant piece of filmmaking.
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arboria.org
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VHS + poster
poster
VHS
VHS 2
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artwork for makeup and vanity set's film soundtrack, 88:88.
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this was a project that started out with MAVS sending us demos and whispering things about it possibly being a film soundtrack. we were then contacted by the film's director, joey ciccoline. joey showed us the film and sent some ideas he'd had for possible directions for the artwork. included in his package was a poster for the 1985 kid's science fiction film, the explorers. this poster single handedly informed the initial designs we created for the film soundtrack. these designs were then scrapped when joey then expressed interest more in a design that told you less about the narrative, and gave you simply a sense of mystery. 

fortunately MAVS then had the idea to do a parallel release in the form of a limited edition VHS cassette and poster. this would then come out later than the official film artwork, and give the original pieces we created a place to live. a tangent universe if you will.

you can see photos of the VHS tape here.
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8888film.com
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cover artwork
outside spread
inside spread
poster
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artwork for 65daysofstatic's film soundtrack, silent running.
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in 2010 the glasgow film festival asked 65daysofstatic if they were interested in re-scoring a film of their choosing. the band, always interested in the idea of scoring films, accepted and chose the 1970s science fiction cult classic, silent running. the success of the score lead them to perform it live at various festivals throughout 2011 and finally record it in the studio for release. 

the band approached us in the summer, asking that we might put together a poster and a record cover of some description for the release. it was similarly an incredible opportunity that was by no means lost on us. the poster was in many ways a direct reference to the film, as discussed here. the final record sleeve you see to the left was something quite different, and you can read more about that here.
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65daysofstatic.com
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