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film

willis earl beal_traveling eyes_music video

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_what
music video for singer and songwriter, willis earl beal.
_how
tim sutton called and asked that caspar might direct a music video for willis earl beal. willis had starred in tim sutton's second feature film, memphis. caspar had gotten to know willis on the set of memphis, a film upon which caspar had also worked. since then caspar had seen several of willis's own live shows, and had been floored by his performances each and every time.

the song was called traveling eyes and willis described to tim and caspar the video he imagined in his head when listening. caspar asked that chris dapkins might be the cinematographer for the music video. chris had been the cinematographer on memphis, and he and caspar had also made friends during that time.

soon it was agreed that caspar and chris would co-direct the video, and they shot the film in upstate new york with a small cast and crew over 2-3 days and nights. once the edit was locked, caspar then proceeded to work on the post-production and frame-by-frame compositing work. josiah newbolt then added some finishing touches to the overall picture quality, and the piece was done.
_link
vimeo.com/144372164
_tags

polinski_stitches_music video

album cover
_what
music video for polinski's debut single, stitches.
_how
paul wolinski is one quarter of the experimental musical machine that is 65daysofstatic. polinski is his more purely electronic side-project. labyrinths is is the debut album from polinski.

the music video for the album's first single, stitches, was an attempt to bring back the feeling of using the sinclair ZX spectrum computer, whilst detailing some of the album's narrative elements. paul and caspar wrote the video's story, which expanded upon the lyrics jonathan bates from big black delta was singing on the song. john delucca then beautifully redrew and further illustrated the graphics caspar had made for the vinyl record's packaging in pixel art format, and josiah newbolt then animated those graphics.
_link
polin.ski
_awards
color in design 2012 award winner
_tags

sonoio_enough_music video, record sleeve + print

print
album cover
_what
music video + print design for LA-based band, sonoio
_how
we'd been aware for a while that sonoio (alessandro cortini) intended to follow up his unique and well received experimental synth debut, with a 'sequel' record of some kind. furthermore alessandro was toying with the idea of a music video this time and asked that we might pitch a few ideas to him for a couple of different songs on the record. we came up with 3-4 ideas he chose the most 'live performance' based concept that we had and soon things were under way. the video was for the song enough, which to us was one of the songs that immediately jumped out on the record when hearing it for the first time. once more we recruited the talents of matt sundin (who helped us shoot the 65daysofstatic and war widow album covers) and soon after alessandro was flying to new york to shoot the video with us in brooklyn.

you can read more about making the artwork + video here.
_link
sonoio.org
_tags

BBD_IFUCKINGLOVEYOU_music video, record sleeve + poster

EP cover
poster
_what
EP artwork + music video for the LA-based band, big black delta
_how
jonathan bates, better known for his part in the fantastic band mellowdrone, recently got back in touch with us regarding a 'new thing' he was working on. as luck would have it, it was some seriously rich and rewarding new music. the kind which fills the mind with images pretty fast. well, the next thing you know we're watching the thundercats intro in total awe, debating wallpapering our apartment walls with TRON screenshots, and obsessing over UFOs. how one thing lead to another is neither here nor there, but it turns out we were all down with this new thing ... and it was taking us places.

what then ensued was the constant, rapid exchange of music for artwork, much the way a choir does their psalms and responses. there's no question in our minds now that big black delta was the only name you could use to sum up the music, what inspired it and everything we'd ultimately made together from that point forward. cut then to just a few days ago. cut right to the moment when we slung the cover you see above onto the proverbial coffee table. cut to us all looking at each other like we knew it was time. yep, ufologists were about to get some melody in their google.

additionally we shot and edited a short film to accompany the release of the song IFUCKINGLOVEYOU. it was shot over a couple of days around independence day in los angeles. the idea was simply to capture everything we got up to in the short time we had, be that searching the night sky for flashing lights, watching dan akroyd talking about UFOs on youtube or jonathan bates making strange noises on his studio floor. we hope the end result, if nothing else, makes you feel like all these things are related. not forcibly, but maybe with a little serendipity.
_link
bigblackdelta.com
_tags