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a few days later we presented dea and arseni with a range of ideas, and they chose the approach you see here. the film is a dark, surrealistic tale about a female doctor in the country of georgia who performs unsanctioned abortions for woman, in face of oppressive, patriarchal and often religious resistance. the poster is an attempt to express the impossible and painful level of denial one feels the men in the film are imposing upon the women. 

caspar made the poster with paper, ink, paint, a pencil, a knife, a printer, a camera and photoshop. the approach here, aesthetically speaking, is in part an homage to the great work of postermaker lanny sommese. however the influence of painters cy twombly and rené magritte is clearly in there too. do see this film if you have the means, it's remarkable. 

we presented a range of ideas and saim and apoorva asked us to the explore the one you see here. making the poster involved hand-drawing the floor tiles from the family home's inner courtyard, and then removing lotus flowers from this design to reveal the three main characters seemingly witnessing each other's indiscretions.

as a final touch, the blood of an animal slaughtered in their courtyard is smeared across a few of the remaining lotus flowers to provide a suggestive balance to the otherwise cheery name of the film.

the film is a remarkable piece of work. we watched it twice through the first time we sat with it. what you initially perceive to be one kind of film transforms into something entirely different as you watch it. the idea for the poster came very quickly to us on a call with lucy and her producer megan pickrell. the hard part was finding an old master painting we could use to successfully capture the treatment we were after. however when we stumbled upon the westwood children by joshua johnson we knew the search was over.

caspar made the poster in berlin with a printer, a scalpel and a camera. during the making of the poster the film was selected for the 2023 locarno film festival.

our approach here is in part an homage to the great work of swedish artists inka and niclas lindergard. it was created by taking a photograph of a light source with grease smeared on the camera lens. the effect was then overlayed on a behind the scenes photograph from the film.

the poster is our attempt to talk about the delicate and beautiful relationship at the core of the film. 

you can watch the trailer for the film here.

caspar made the poster in the new york studio. it was inspired by david hockney's photographic collages. 

wonderfully the poster ended up winning the SXSW excellence in poster design award.

you can purchase a physical copy of this poster here.

paul wolinski is one quarter of the experimental musical machine that is 65daysofstatic. polinski is his more purely electronic side-project.  the discussions for how to handle the artwork for the album started years before the record was even a twinkle in his eye. we'd talked at length for years about films, musics, books, games and designs that appeal to us for whatever reason. whether it be the books of jeff noon or the cassette loading games of sinclair ZX spectrum, there was an innate understanding of what this solo project would demand in terms of artwork the moment the demos started to come together.

the final artwork started with us coming up with a story that would capture paul's feelings about various things and how he wanted to translated those into a science fiction tale of some kind. the next step was padding that story out with various touchstone visual elements and then translating those into a series of panels that we could use for the album and any singles. the first image we put together turned out to be the album cover as it is now, and this went onto influence paul's approach to making the music. he then sent us more demos that inspired the creation of more panels, and so the back and forth went until we had enough to illustrate the story / world we had created.

given the soundtrack was created by daft punk it was safe to assume anything we made would be very popular with fans of the band and the 80s film alike. as such, we took full advantage of some of the latest web technologies (with help from mr. doob) and produced a site that works on iphones, ipads as well as regular machines. the end result is a streamlined data collection / e-commerce site with a series of film-related easter-eggs for fans to discover.

once again we asked john delucca to bring his magic to the project. first he painted the fantastic streets of fire inspired cover, and then went on to create various other pieces for the album's illustrated "libretto" booklet. caspar then wove everything together for the 2009 compact disc release of the album, and the promo "movie poster" that went with it.

in 2018 it was time to release a deluxe, vinyl version of the album. for this the band wanted to make a book with a pop-up diorama of john's "how the world fell under darkness" illustration as the centrepiece. this time around caspar eschewed the rest of the CD artwork and replaced it with stills from the recently shot and released light up the night music video.