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caspar made the wild light artwork digitally in 2012/13 using adobe's illustrator (shapes) and photoshop (textures and type). going back into the files and hauling something poster-worthy from the wreckage was rewarding. not least because there were some intricate pieces in there that were never used in the record's original packaging and promotional materials. the strange life-form you see here being one of them.

the song's artwork was created using a photograph caspar took in berlin during the 2020 pandemic lockdown.

the packaging is an attempt to turn the digital graphics 65 created on their computer screens during the year into an original lasting physical experience one could see and touch. in and of itself a reminder perhaps of one of the strangest years of our shared lives thus far.

the landscape paintings you see embedded into the various covers are by another of our long-term collaborators, john delucca.

the record is available here in various physical and digital formats.

the "creatures" or "ships" in the artwork were created by trying to break some of the standard functions in adobe illustrator.

the photographic sleeve that used a photograph caspar took in austin, texas, was for the european and US release of the record. the abstracted, more digital looking sleeve caspar made for the japanese release.

the band approached us in the summer, asking that we might put together a poster and a record cover of some description for the release. it was similarly an incredible opportunity that was by no means lost on us. the poster was in many ways a direct reference to the film, as discussed here. the final record sleeve you see to the left was something quite different, and you can read more about that here.

the music video for the album's first single, stitches, was an attempt to bring back the feeling of using the sinclair ZX spectrum computer, whilst detailing some of the album's narrative elements. paul and caspar wrote the video's story, which expanded upon the lyrics jonathan bates from big black delta was singing on the song. john delucca then beautifully redrew and further illustrated the graphics caspar had made for the vinyl record's packaging in pixel art format, and josiah newbolt then animated those graphics.

the record sleeve we made for the album—with the help of matt sundin—is, as front-man joe shrewsbury put it, "a beautiful expressoin of human love." please read the full story on the making of the artwork here. all photography by matt sundin, except the heavy sky EP.