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film
still
_what
closing title sequence for the feature film, the song of sway lake.
_how
we met director ari gold at a party on his rooftop. in discussions about his forthcoming new film he revealed he was looking for a title sequence. sharing a love for the filmed title sequences of saul bass, we agreed to stay and touch and discuss things further. a few weeks later producer alexandra byer, cinematographer shabier kirchner and i found ourselves upstate filming by a lake. not long after that were cutting the sequence you see here into the film. the piece combines almost every aspect of what we do as a company, from record cover design through to film direction.
_link
swaylake.com
_tags
poster
_what
writing, directing, title design and poster design for the short film, light up the night.
_how
executive producer john la valle approached us with idea of making a film of a section of the protomen's second record, act II. the band chose light up the night as the song, and we approached collaborator matt sundin to co-direct the project with us. development of the project took some years and the end result you can see here. a testament to the band and everyone else involved, the film pays homage to many of the things that inspired us to do the work we do today, whilst delivering a particularly serendipitous socio-political commentary. 

we collaborated once again with john delucca on the poster design.
_link
protomen.com
_tags
cover artwork
outside spread
inside spread
poster
_what
artwork for 65daysofstatic's film soundtrack, silent running.
_how
in 2010 the glasgow film festival asked 65daysofstatic if they were interested in re-scoring a film of their choosing. the band, always interested in the idea of scoring films, accepted and chose the 1970s science fiction cult classic, silent running. the success of the score lead them to perform it live at various festivals throughout 2011 and finally record it in the studio for release. 

the band approached us in the summer, asking that we might put together a poster and a record cover of some description for the release. it was similarly an incredible opportunity that was by no means lost on us. the poster was in many ways a direct reference to the film, as discussed here. the final record sleeve you see to the left was something quite different, and you can read more about that here.
_link
65daysofstatic.com
_tags