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war widow_051111


if you’ve ever heard their cover of cheap trick’s song he’s a whore, you’ll know that both big black delta and war widow are bands to keep an eye on. both new, both from LA and both with singers called jon. now whilst we’ve been working with big black delta for some time now, war widow are pretty new to us. both bands share the same record label – coming home records – who have handled not just releases from a large amount of nine inch nails alumni, but of course also the magnificent mellowdrone. it was through coming home records that we got wind of some of the new tracks by war widow. the label’s boss erik andrews posted a couple of tracks on soundcloud one morning and i joined the others on twitter who follow the label’s feed, and gave them a listen over a hot cup of coffee.

tear it up (above) is the track that immediately grabbed me. the first thing that struck me was the dirgey feel of it. then when the dark + seedy lyrics filled my ears i started getting a range of very particular images dancing around in my brain. so i immediately looked to see if any artwork had been announced for this release. sure enough they had a record cover on their website. it was of a cat snarling. rich colours. very vibrant. it was tough, but it didn’t seem to mesh with the music i was hearing. so i quickly fired off an email to erik and asked if the artwork had been printed yet. he said it hadn’t. i then started ripping through various photographs i had lying around on hard drives and bookmarked on various sites, trying to find things that seemed to fit the music. i then put together a few designs using the bands logo and some of these images, and fired it off as quick as i could to erik. he amazingly passed them right onto the band and just moments later i got news that they were into trying a new cover and wanted to know what else we had up our sleeves.

i then emailed two people. first my friend?matt sundin, who took the photographs for the 65daysofstatic album cover,?we were exploding anyway. i briefed him quickly on the sorta images i was after and asked him if he had anything lying around. i then reached out across oceans into distant lands i’d never set foot in and contacted a ukrainian photographer who’s flickr account i’d been obsessed with for some time now. i felt his photos were utterly perfect for this and had in fact used some of them in the initial comps i sent to the band. this guy’s name is alex alekseenko, and you can see more of his work here.

knowing both would need some time i then told the band i’d need a day or so to pull things together and if they could hold off the printing presses for a moment, it’d be worth their while. they were cool with this.

the next morning i was elated to find an email from alex in my inbox. turns out he was 100% down with us using one of his photos for a record cover, particularly for a rock band. he himself was a collector of many records and was very excited at the prospect of having some of his work used in such a fashion. similarly matt also got back to me with a few shots of his own that he felt stepped into the murky conceptual arena i was after with this.

the images then started to speak for themselves. certain images coupled very well with others and those that didn’t lead me to ask if they could delve deeper – send me anything. i wanted them to send me the stuff they might even be scared to send through, because of the content of them. needless to say but we were all excited and definitely beginning to get that feeling again. that feeling that made you remember why you do this damn thing for a living.

pretty soon it was done. round 2 was off to the band and we were checking our emails regularly for anything back from them.

the band got back to us after a few days. they’d made a decision. they wanted the image you see above for the cover, and the image you see below for the backcover. we then started about ‘finishing up’ the design, which of course involved making it feel like you’d find the record in the damp corner of someone’s basement in the middle of nowhere.

if you’re into hearing the record, needless to say we highly recommend it. it will be out on 12 inch vinyl and was produced by none other than jonathan bates of big black delta. you can grab another song from the record from the band’s site here, or from the label’s site here.

we hope you enjoy it and that the artwork in some way helps you get deeper into the music.

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acknowledgement_053109

david carson website link

david carson has posted a link to our recent article about design and advertising on his own website. we feel vindicated (to say the least) to have received this kind of acknowledgement of our point of view.

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commercialism and design_030108

peter saville

it’s hard not to feel?underwhelmed with the state of the design industry today. one avenue i personally had always relied upon was designing artwork for bands. however now the music industry can barely afford to pay for the great designs they need to present their artist’s work, we are all having to find work elsewhere to make ends meet. this, along with other elements, is adding to the larger realization that now more and more of the market is being eaten up by corporations forcing designers to use their art to sell incompatible, emotionless products.

if you have a moment, i highly recommend registering to the (albeit commercially founded) ‘i love design’ site and watching this short interview with peter saville. i have been feeling a great weight on my conscience recently and after watching this i felt it all lift a little as one man defined the issue so succinctly. i hope many can take a lesson from this and things will change. thanks, peter.

http://www.ilovedesign.com/us/exclusives/interviews/peter-saville-design

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