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print shop_090521


after 10 years of working to make the best and most original film posters we can for everyone, we wanted to celebrate by opening a print shop at shop.versionindustries.com to provide physical copies of those posters to anyone anywhere.

our mission is simply to make sure those that want these posters can have them and for the cheapest price possible. during the 2020 global pandemic we worked out a way to print posters “on demand” and deliver them worldwide whilst keeping our overheads very low. as you can see, we’re talking around $25 at most for a full-size 27×40 inch US one-sheet or A0 poster on good paper, plus shipping. what small profit margin there may be will hopefully cover the overheads of running an online store of this kind.

we trust that this offers us a way to make sure the films we have worked on can be remembered beyond the festival and theater releases, on the walls of those who really loved them. the funny thing is this is so often not the case; film posters only get printed a handful of times and then they’re just the result of google image searches and that’s that. this goes against the entire point of making posters of course.

thank you in advance for your continued love and support for independent cinema, and for the work that we do to celebrate the films and filmmakers we’re lucky enough to work with.

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film title sequence + motion graphics work_062117

memphis titles

it’s been a while since we updated this blog thing. it occurred to us that we really need to make a record of our gradual move into the world of film title sequences. unfortunately the way this website is constructed means that it’s hard to highlight this kind of work, and so we hope this article gives you an inkling of what we’ve done and hope yet to do in this field.

over the last few years we’ve been asked to do an increasing amount of motion graphics work for films, and whilst the work is often relatively rudimentary in terms of graphic design, the projects have certainly been respectable. in this regard it’s worth noting what kind of films we’ve worked on and observing the more subtle compliment a thing as simple as a typeface choice or type placement can offer a film. which isn’t to say we wouldn’t rather do something more explosive graphically, but more often than not a film doesn’t need that. not at all.

anyway, after a while in this business you realize that you need to just let the work speak for itself, rather than doing a whole lot of talking about your process or whatever. so here are a series of title cards and stills from various film productions, where you can see our motion graphic design work at play.

 

light up the night
co-directed by matt sundin and caspar newbolt. featuring drawings by john delucca and animation by josiah newbolt.

light up the night titles
light up the night titles
light up the night titles
light up the night titles
light up the night titles
light up the night titles
light up the night titles
light up the night titles
light up the night titles
light up the night titles
light up the night titles
light up the night titles
light up the night titles
light up the night titles

 

entertainment
directed by rick alverson.

entertainment titles
entertainment titles
entertainment titles
entertainment titles
entertainment titles
entertainment titles
entertainment titles

 

dark night
directed by tim sutton. featuring in-film poster design and ‘google maps sequence’ compositing.

dark night titles
dark night titles
dark night titles
dark night titles
dark night titles
dark night titles
dark night titles
dark night titles

 

take what you can carry
directed by matthew porterfield.

take what you can carry titles
take what you can carry titles
take what you can carry titles
take what you can carry titles
take what you can carry titles
take what you can carry titles
take what you can carry titles
take what you can carry titles
take what you can carry titles
take what you can carry titles

 

live cargo
directed by logan sandler.

live cargo titles
live cargo titles
live cargo titles
live cargo titles
live cargo titles
live cargo titles
live cargo titles
live cargo titles
live cargo titles

 

memphis
directed by tim sutton.

memphis titles
memphis titles
memphis titles
memphis titles
memphis titles
memphis titles
memphis titles
memphis titles

 

the convention
directed by jessica dimmock.

the convention titles
the convention titles
the convention titles
the convention titles
the convention titles

 

pavilion
directed by tim sutton.

pavilion titles
pavilion titles
pavilion titles
pavilion titles

 

muito romântico
directed by distruktur.

 

stay tuned for more work from us for jonas carpignano’s a ciambra, matthew porterfield’s sollers point and ari gold’s the song of sway lake.

cheers.

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memphis_011414

Screen Shot 2014-01-14 at 11.51.03 AM

tim sutton’s new feature film MEMPHIS is having it’s US premiere at the sundance film festival this week. the film stars the incendiary singer willis earl beal and chases, in the form of a filmic essay, the ever-fleeting soul of the creative process. as some of you know we have had the great honour of working on this film and you can read more about that in an interview we did with black book magazine here.

since putting together the posters for the film, we’ve created a small teaser site to celebrate the sundance acceptance. additionally the film has since been written up in dazed & confused magazine. to say that it’s a thrill to see the film (not to mention one of our photographs) in that legendary periodical would be an understatement.

here’s wishing the whole memphis film team all the success at sundance and beyond. it’s not often enough that films as experimental and searching as this get this sort of recognition.

1009716_1413214968917902_98139597_o

thanks to indiewire you can view a brand new trailer for the film below. do please immerse yourself for a moment. to paraphrase one of my favourite songs – nothing quite like the feel of something new.


lastly, if you have the means – see willis earl beal perform live. he’s touring europe in february and i can honestly say that there are very few out there of his caliber. lyrically, musically and performance-wise, he will most assuredly smash you to pieces.

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