film title sequence + motion graphics work_062117
it’s been a while since we updated this blog thing. it occurred to us that we really need to make a record of our gradual move into the world of film title sequences. unfortunately the way this website is constructed means that it’s hard to highlight this kind of work, and so we hope this article gives you an inkling of what we’ve done and hope yet to do in this field.
over the last few years we’ve been asked to do an increasing amount of motion graphics work for films, and whilst the work is often relatively rudimentary in terms of graphic design, the projects have certainly been respectable. in this regard it’s worth noting what kind of films we’ve worked on and observing the more subtle compliment a thing as simple as a typeface choice or type placement can offer a film. which isn’t to say we wouldn’t rather do something more explosive graphically, but more often than not a film doesn’t need that. not at all.
anyway, after a while in this business you realize that you need to just let the work speak for itself, rather than doing a whole lot of talking about your process or whatever. so here are a series of title cards and stills from various film productions, where you can see our motion graphic design work at play.
light up the night
co-directed by matt sundin and caspar newbolt. featuring drawings by john delucca and animation by josiah newbolt.
entertainment
directed by rick alverson.
dark night
directed by tim sutton. featuring in-film poster design and ‘google maps sequence’ compositing.
take what you can carry
directed by matthew porterfield.
live cargo
directed by logan sandler.
memphis
directed by tim sutton.
the convention
directed by jessica dimmock.
pavilion
directed by tim sutton.
muito romântico
directed by distruktur.
stay tuned for more work from us for jonas carpignano’s a ciambra, matthew porterfield’s sollers point and ari gold’s the song of sway lake.
cheers.
