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Recent Work
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typography and title design for the nashville-based band, the protomen.
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the protomen wanted to announce that some new things were on their way this year, and approached joey ciccoline and caspar with their vision for a new clip.

caspar and the protomen had been continuing their work to refine the band's new logo and—alongside a fragment of some of the band's new music—this felt like a good time to reveal the work so far.

you can watch the clip here
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instagram.com/p/DKF9-ozymeR
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poster for the feature documentary, in hell with ivo.
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joey kuhn recommended us to his friend, the filmmaker kristina nikolova. kristina had just finished her documentary about the bulgarian singer / song writer / performer, ivo dimchev and was looking for both title and poster design for the project. the film is wonderful and has been selected to play in competition at dok.fest münchen.

caspar presented a range of poster ideas to kristina and after some discussion with ivo, they selected the direction you see here. the poster uses one of a series of photographs ivo had of himself, coupled with a hand-drawn, graphic treatment that reflected both ivo's tattoo aesthetic (as seen in his permanent tattoos and his additional, bespoke, body markings) and the film's overall message;  ivo asks his audiences during his live performances: "would you rather be in heaven with donald trump, or in hell with jesus christ?"

if you have the means do see this film. we cannot recommend it enough. watch the trailer here.
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dokfest-muenchen.de/films/in-hell-with-ivo
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mubi movie poster of the day
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poster for the short film, eighteen.
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writer / director lucy knox reached out to us after seeing our work on family portrait, a want in her and pasta negra. lucy wanted a poster for her new short film, eighteen. the film is a documentary piece that follows a group of australian 18 year olds as they discuss their lives and their feelings about the future. we were moved by the work and interested to see how it could translate into a poster.

lucy explained the different ways she sees the work and what she believes it's about. caspar then sent her a series of treatments to illustrate the directions a poster could take. lucy chose the one you see here, which caspar made entirely digitally. the design was constructed using the 2025 instagram profile grid's 3:4 aspect ratio as a fundamental building block.

the poster explores how much these kids see themselves through the lens of their own phones and online networks. it speaks to a subsequent insecurity in their own self image and how important that image is versus who they are as people. the poster is also a conscious nod to the work of samuel burgess-johnson and david rudnick, whose work caspar was studying at this time.
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lucyknox.tv/eighteen
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