{"id":4011,"date":"2020-12-23T17:31:22","date_gmt":"2020-12-23T21:31:22","guid":{"rendered":"https:\/\/versionindustries.com\/blog\/?p=4011"},"modified":"2023-06-07T17:36:18","modified_gmt":"2023-06-07T21:36:18","slug":"the-film-stage-the-best-movie-posters-of-2020","status":"publish","type":"post","link":"https:\/\/versionindustries.com\/blog\/2020\/12\/23\/the-film-stage-the-best-movie-posters-of-2020\/","title":{"rendered":"the film stage, the best movie posters of 2020"},"content":{"rendered":"\n
\"\"<\/figure>\n\n\n\n

the film stage<\/a> just selected caspar\u2019s poster for <\/a>sonejuhi sinha’s<\/a> feature film, stray dolls<\/a>, as their 4th best poster of 2020<\/a>. jared mobarek<\/a>, writing for film stage, had the following to say about the poster:<\/p>\n\n\n\n

\n

Caspar Newbolt and (version_industries) take that sense of barrier through line work one step further to create a piece for Stray Dolls<\/em> like only they can: dark, evocative, and eccentrically off-kilter in an almost discomforting way. Our vision is in constant flux like an optical illusion, shifting back and forth between the woman looking down on the page and the woman on the phone behind it. There\u2019s a sense of before and after \u2026 or perhaps lost and found when you bring in the title. The red hue supplies connotations of danger that the cool blues beneath\u2014via depth (the second face) and direction (the text)\u2014contrast less with the promise of safety than the allure of mystery.<\/p>\n<\/blockquote>\n\n\n\n

thank you jared and everyone at the film stage for this vote of confidence.<\/p>\n","protected":false},"excerpt":{"rendered":"

the film stage just selected caspar\u2019s poster for sonejuhi sinha’s feature film, stray dolls, as their 4th best poster of 2020. jared mobarek, writing for film stage, had the following to say about the poster: Caspar Newbolt and (version_industries) take that sense of barrier through line work one step further to create a piece for Stray Dolls like only they can: dark, evocative, […]<\/p>\n","protected":false},"author":10,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6,9,5],"tags":[622,1106,1002,1062,1017,1018,1019,121,1001,1014,1003,1109,1108,1105,1107,1061,731],"class_list":["post-4011","post","type-post","status-publish","format-standard","hentry","category-blog-v","category-grafiks-v","category-news-v","tag-caspar-newbolt","tag-charlotte-rabate","tag-graphic-design","tag-jared-mobarek","tag-movie-poster","tag-one-sheet","tag-paper","tag-poster","tag-poster-design","tag-print","tag-print-design","tag-scanned","tag-shredded","tag-sonejuhi-sinha","tag-stray-dolls","tag-the-film-stage","tag-version-industries"],"_links":{"self":[{"href":"https:\/\/versionindustries.com\/blog\/wp-json\/wp\/v2\/posts\/4011","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/versionindustries.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/versionindustries.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/versionindustries.com\/blog\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/versionindustries.com\/blog\/wp-json\/wp\/v2\/comments?post=4011"}],"version-history":[{"count":4,"href":"https:\/\/versionindustries.com\/blog\/wp-json\/wp\/v2\/posts\/4011\/revisions"}],"predecessor-version":[{"id":4017,"href":"https:\/\/versionindustries.com\/blog\/wp-json\/wp\/v2\/posts\/4011\/revisions\/4017"}],"wp:attachment":[{"href":"https:\/\/versionindustries.com\/blog\/wp-json\/wp\/v2\/media?parent=4011"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/versionindustries.com\/blog\/wp-json\/wp\/v2\/categories?post=4011"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/versionindustries.com\/blog\/wp-json\/wp\/v2\/tags?post=4011"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}